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artist: Jota Mombaça



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Decade Work Created

Ghost 1: Drowning is not a poem but is not not a poem either
© » KADIST

Jota Mombaça

Sculpture (Sculpture)

Ghost 1: Drowning is not a poem but is not not a poem either by Jota Mombaça is part of a series of sculptures exploring water’s restless, elemental properties and what the artist describes as “the radicality of sinking”. For this project, Mombaça produced three sculptural linen works in collaboration with the waters of the San Francisco Bay (in Berkeley), the San Pablo Bay (in Richmond), and the Pacific Ocean (in Bolinas), wherein the artist submerged linen in these local waters for three to seven weeks, then dried, and installed the materials on metal armatures. Mombaça’s subsequent video waterwill (2023) is composed of various footage from the sinking, floating, and unsinking of these sculptures and those from previous connected performances.

A Gente Combinamos De Não Morrer (BANDEIRA #1) / Us Agreed Not To Die (FLAG #1)
© » KADIST

Jota Mombaça

Sculpture (Sculpture)

The performance title A Gente Combinamos De Não Morrer (BANDEIRA #1) / Us Agreed Not To Die (FLAG #1) is taken from a short story by Brazilian writer Conceição Evaristo, whose work addresses violence, resilience, and necropolitics with an Afro-diasporic lens. This artwork by Jota Mombaça articulates connections between black and trans people’s challenges and struggles. Mombaça points out that an ongoing genocide of these minorities underscores the established power structures, and their resistance is to survive.

  • 2010-2019

    Jota Mombaça

    Sculpture (Sculpture)

    2018

    The performance title A Gente Combinamos De Não Morrer (BANDEIRA #1) / Us Agreed Not To Die (FLAG #1) is taken from a short story by Brazilian writer Conceição Evaristo, whose work addresses violence, resilience, and necropolitics with an Afro-diasporic lens...


  • 2020-2029

    Jota Mombaça

    Sculpture (Sculpture)

    2022

    Ghost 1: Drowning is not a poem but is not not a poem either by Jota Mombaça is part of a series of sculptures exploring water’s restless, elemental properties and what the artist describes as “the radicality of sinking”...